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Image 1 of 1
Image 1 of 1
Image 1 of 1
White-on-white photography is exposure perfection or failure—there's no middle ground. This snowy owl, nearly unmarked except for faint barring, flies directly at the camera against overcast sky. Wingtips fall outside the frame, making this about composition and compression: body, face, eyes. Those yellow eyes become the anchor in a sea of white, the single point of color that draws you in and holds you.
White-on-white photography is exposure perfection or failure—there's no middle ground. This snowy owl, nearly unmarked except for faint barring, flies directly at the camera against overcast sky. Wingtips fall outside the frame, making this about composition and compression: body, face, eyes. Those yellow eyes become the anchor in a sea of white, the single point of color that draws you in and holds you.